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Narayan, among others, from mimesis and deconstruction to the United Nations, with extensive essays on Chinese, Japanese, and South-Asian literature.

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Clearly the work of a poet-critic attempting to embrace a larger portion of human experience than the personal postmodern self, The Grove of the Eumenides reaches toward an epic vision of the twenty-first century. All the muck and glory of American and international experience and history mix in the complex tension of a mind struggling with itself and its Age. Acutely perceptive of the spiritual and moral nuances of literature, criticism, and culture, Glaysher confronts the loss of religious faith in the modern world and breaks through to a vision of the unity of the human longing for transcendence.

Much of The Grove of the Eumenides forms the background study for Glaysher's epic poem, The Parliament of Poets , which he discusses in a new Preface. These essays constitute and record my background study, as it were, over a period of more than twenty years, leading up to their publication in Wilson Co.


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He believes that science and religion should not be antagonists but should both work to advance the course of humanity. The problem comes when the sole end of scientific research becomes profit. And here one should equally add religion, with regards to the springing up of churches whose ultimate goal is making money for the founders. In effect the poet wants to see the unity of what he calls 'false dichotomies': science and religion, reason and intuition, material and spiritual, white and black, and others.

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But Frederick Glaysher has proven them wrong The poet himself is the main character of this epic poem, who travels to the moon, meets a large number of great poets and writers of the world, comes back to earth to have some glimpses of bygone times. Throughout the entire journey, many poets, writers, sages guide the poet and share their invaluable knowledge and insights.

Earthrise Press, Into the Ruins: Poems. About my library Literary, West, East, whatever. Categories have always annoyed me. Cliques, coteries, isms, etc. I don't think most writers worth reading ever cared about those classroom props. They stand in the way, as they always have, of new forms of experience, consciousness, and writing--stand in the way of a new vision of what it means to be human, in the way of a new future receiving a hearing and being understood.

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Grove of the Eumenides: Essays on Literature, Criticism, and Culture

The chestnuts of postmodernism all come down to that. They very much stand in the way today. Lived experience is what counts. It's changed, but our thinking hasn't sufficiently caught up. Especially in academia. The publishers and newspaper and library reviewing venues of today are atrophied, imposing exhausted visions, keeping the patient on life support.

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